For the most part, Alizée is the main character/voice.
You go from Dani in 2015 to Alizée in the late 1930s - 1940. The first thing you have to grow customer to when reading this book, is the way it jumps back and forth between speaker and time. The Muralist's ending makes me happy, yet confused all at the same time. Like the Beginning Indifferent About the Restįor the second time in a week, a book's ending has completely shocked me. In Alizée and Danielle, she has created two unforgettable women, artists both, who compel us to ask, What happens when luminous talent collides with inexorable historical forces? Does great art have the power to change the world? And to what lengths should a person go to thwart evil? Shapiro is a master at telling a gripping story while exploring provocative themes. It captures both the inner workings of today's New York art scene and the beginnings of the vibrant and quintessentially American school of abstract expressionism.ī. Do they hold answers to the questions surrounding her missing aunt?Įntwining the lives of both historical and fictional characters and moving between the past and the present, The Muralist plunges listeners into the divisiveness of prewar politics and the largely forgotten plight of European refugees refused entrance to the United States. And, some 70 years later, not her great-niece, Danielle Abrams, who, while working at Christie's auction house, uncovers enigmatic paintings hidden behind recently found works by those now famous abstract expressionist artists. Not her close-knit group of friends, including Mark Rothko, Jackson Pollock, and Lee Krasner. Not her artistic patron and political compatriot, Eleanor Roosevelt. Not her Jewish family living in German-occupied France. Alizée Benoit, an American painter working for the Works Progress Administration (WPA), vanishes in New York City in 1940 amid personal and political turmoil.
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